Both Terra and Raven are proof of this, as they're the constant romantic interests each iteration of his character. Beast Boy is an incredibly romantic person at heart, someone who loves to love and yearns to be loved. It may seem incredibly random to say, but when you step back and think about Beast Boy across the various forms of media he's been in, it makes sense. New episodes will air on both platforms every Wednesday.RELATED: The Importance of Young Justice: Outsiders Adding LGBTQ+ Heroes
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The unedited, NSFW cut can be seen for immediate paid download on HuntingSeason.TV (each episode will be available for free streaming after its first week).
The gay-but-not- that-gay network is now world-premiering an edited and safe-for-work version of Hunting Season on its website.
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Just as he was about to put the series up on his own website this week, a deal came through with Logo. He learned the hard way that rather than being open to anything, the hubs where people seek content–Hulu, YouTube, Yahoo and the rest–have “a lot of restrictions about the content they’ll show.” There’s porn on the Internet! So who’s going to stop me from making an HBO-style show?” The answer, Marcus says, is “Everybody.” He shopped the completed Hunting Season–which has, in industry parlance, “Hard R” content–to all the major web-TV purveyors, with no success. “One of the things that was so exciting to me about taking this on was that the Internet was unregulated there were no standards and practices. I took exactly the risk I wanted to make.”Īnd he figured that the World Wide Web was open to risk-taking. (He self-financed the show, which he directed and co-wrote.) “I wanted to make a show but I also wanted to make a statement about the state of media: It’s a really narrow spectrum of what works in corporate media.” He continues: “If my show fails because I took a risk I’m fine with that. He spent a year crashing on friends’ couches in New York so that he could afford to make Hunting Season, and do it his way.
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I wanted to make a show but I also wanted to make a statement about the state of media: It’s a really narrow spectrum of what works in corporate media.Įventually Marcus left his job as a TV producer, sold most of his belongings and left Los Angeles. He shopped his plans for an adaptation to Logo, Here, and Q, the first-ever gay TV networks, all of which were new at the time and two of which have since folded. And he saw it as an opportunity to push the boundaries of gay-male sex on TV–something that hadn’t been explored at all since Queer as Folk (which, incidentally, Marcus sees as a bizarre cultural blip that pushed boundaries but was inauthentic: “It took place in Pittsburgh!”). It may not be his own story but, Marcus says, it represents him well. About five years ago, Marcus acquired the rights to The Great Cock Hunt, an anonymous and definitely NSFW blog about one gay man’s sexual escapades.
You can’t have a sexually active gay guy who’s single on a network TV show.” “I’m glad it’s their story, but it’s not mine. “ The New Normal is not my story,” he says. The New Normal, which is about a gay couple seeking to have a baby, is said to be based on co-creator Ryan Murphy’s own life with his partner but while it may have some edgy humor (much of which actually mocks gay people) the NBC comedy certainly doesn’t represent Marcus and many of his friends. “Either I would have to become a girl or be married with a kid, but that’s not me,” he says.
Marcus yearned to see something more of himself on-screen, but he knew that adapting his own life would mean watering it down or even turning himself straight. Network Person, you can’t do this,’ but you do get the rules conveyed to you at some point.” “There’s a lot of political pressure on those characters…to be ‘good’ representations,” explains Marcus of the limits he sees imposed by broadcasters. The openly gay producer, who has worked on such indie films as Boys Don’t Cry and Hedwig and the Angry Inch and such network TV fare as Scoundrels, feels that he isn’t seeing himself on-screen.